1968 Memphis College of Art, Memphis, Tennessee BFA

1970 University of Hawaii, Manoa Campus, Honolulu, HI MFA




2013 "Superimposition" Donna Leatherman LLC New York, New York

2006 Donna Leatherman LLC New York, New York

1988 Roswell Museum, Roswell, New Mexico, installation

1987 Schreiber/Cutler, Inc. New York, New York

1985 Ruth Siegel Gallery, New York, New York

1982 Gallery Yves Arman, New York, New York

1980 Gallery Yves Arman, New York, New York

1979 Rhodes College, Memphis, Tennessee




2017 "Beyond a Gift of Time" Current Work of Former Fellows of the Roswell Artist-in-Residence Program," Roswell Museum and Art Center, Roswell, NM

2017 "Folk Fiction" Clara M. Eagle Gallery, Murray State University

2013 "Marty Cool's Biennial" Heliopolus Gallery, Brooklyn, New York

2011 "Artists' Eyes on the Prize: Selections from the National Civil Rights Museum" Hyde Gallery at the Nesin Graduate School - Memphis College of Art, Memphis, TN

2008 "Aldrich Undercover" The Aldrich Contemporary Art Museum, Ridgefield, CT

2003 "Saints and Gods" group show of paintings, Galerie 311, New Orleans, LA

2000 "Self-Reflections-a glance in the Mirror" group show of paintings in the Pfizer Corporation's exhibition space, east 42nd Street, NYC, curator: Dorothy Solomon

1998 “Invitational” Memphis Arts Festival-Brooks Museum, Memphis,TN

1997 “Permanent Collection” Anderson Museum of Contemporary Art, Roswell, New Mexico “Teamwork” Krasdale Foods Corp. Gallery, White Plains, N.Y.

1990 “Creative Process” traveling exhibition-N.Y. area, Bronx Museum, Brooklyn Museum, Lincoln Center Public Galleries

1989-88 “Art & the Law” sponsored by West Publishing Co. International traveling exhibition (catalog)

1984-85 “Innocence and Experience” Greenville County Museum, Greenville, South Carolina, (catalog). Also traveled to First Street Gallery, N.Y.C.

1984 “The New Portrait” Institute for Art And Urban Resources (P.S.1), Long Island City, N.Y., (curated by: Jeffrey Deitch, catalog)

1982 “Stylistic Plurality” Root Art Center, Hamilton College, Clinton, N.Y. (catalog)

1980 “On Paper” Institute of Contemporary Art of the Virginia Museum, Richmond, Virginia (catalog) “New York Realists- 1980” Thorpe Intermedia Gallery, Sparkill, N.Y. (catalog)

1979 “Works on Paper” Nancy Hoffman Gallery, N.Y.,N.Y.



1999 1986 mural titled “Ascent-Descent” restored, with all lower panels replaced , painted in oil on cement board, and reinstalled. 13 panel permanent mural), collection of PATH, The Port Authority of New York & New Jersey, located:

Entrance to the Christopher Street PATH station, Christopher Street, west of Hudson, N.Y.C. Originally sponsored by the Public Art Fund.

1991 “Co-operative Labor A & B” two panels (8.5 feet X 12 feet - 11.5 feet X 6.5 feet) commission, PATH, Port Authority of N.Y. & N.J. “Sam Houston’s School” 72 inches Sq., oil on canvas, Tennessee Heritage Collection, First Tennessee

Collection, First Tennessee Bank of Memphis, Memphis, TN

1989 “Miami Mix” commission, (8 feet X 12 feet) collection of City of Miami- located: Coconut Grove Convention Center, Miami, Florida

Paintings appearing in feature film and television productions:

Dressed to Kill, written and directed by Brian De Palma ( starrng Michael Caine, Angie Dickenson and Nancy Allen)

White Lies, written and directed by Ken Seldon (starring Julie Warner, Rosanna Arquette)

Miami Vice, television series, one episode (starring Don Johnson)




Myles, Eileen, Art in America, review, Vol. 76, no. 3., March, 1988 pp. 156-7. reproduction.

“Fourteen Reasons Why New York is New”, The New York Times, October 3, 1986. , reproduction.

The New York Times, September 3, 1986 , reproduction.

Westfall, Stephen, Arts Magazine, Vol. 60. no. 3., November , 1985, p.130.

Niers, Gert, Aufbau , Germany June, 1985, reproduction.

Klein, Ellen Lee, Arts Magazine, review: “Rambunctious” show, March,1984

Hollfelder, Jack, Art Papers, Interview, Vol. 6., no. 2., March-April 1982 , pp.4-6.

Westfall, Stephen, Arts Magazine, Vol. 56., no.10., June 1982, p.20.

Schjeldahl, Peter, The New York Times, Art (Westchester Section) April 13, 1980



Anderson Museum of Contemporary Art, Roswell, New Mexico

Butler Institure of American Art, Youngstown, Ohio

High Museum of Art, Atlanta, Georgia

Roswell Museum, Roswell, New Mexico

The National Civil Rights Museum, Memphis, TN commission

The Brooks Museum of Art, Memphis, TN

Coconut Grove Exhibition Hall, Miami, Florida commission

Tennessee State Foundation for the Arts, Nashville, TN

Oppenheimer and Company, New York, New York

University of Hawaii, Public Collection, Honolulu, HI

Akerman, Senterfitt & Eidson, P.A., Miami, FL commission

Tennessee Heritage Collection, First Tennessee Bank, Memphis, TN commission

Metro Media Corporation, Los Angeles, California

PATH, The Port Authority of New York & New Jersey commission

Brown University, Paul B. Pizzatola Building, Providence, R.I. commission

Memphis College of Art, Memphis, TN

Rhodes College of Art, Memphis, TN

Chemical Bank, New York, New York commission


"Seraspunda" 1986, 77 X 77 inches, (196 x 196 cm) oil on canvas NA